The Interrogation Officer Ramsey entered the interrogation room. A man sat in front of him, or really more of a boy, barely seventeen. It was hard to think of him as a boy, given what he had done. Ramsey sat down, shifting his flabby bulk uncomfortably on the too small chair. A large steel table separated him from a thin teenager, whose thick blond hair sat in a greasy tangle atop his head. The boy fidgeted nervously, his eyes focusing on a blank spot in the room as he bit his lower lip, barely acknowledging Ramey’s presence. Immediately, the disorder shown by the boy’s appearance sickened Ramsey. His eyes shone with a chaos that went against eve
Divinely FavoredLet me not hasten into your good gracesbut slowly glide into your sunshine eyesso that you do not come to fear me.All I can want now is the most complete snippets of youas we roll and tumble throughout one another.I am free and wide; unexposed and my secrets safeBut please stop making a glorified mess of me.
How to design a typeface (Part 2)How to design a typeface (Part 2)Sans serif — Italics & weightsIn the previous article of the typography series I presented some of the basic principles of type design and we started designing a geometric sans typeface such as Futura. In this article we will expand that typeface and add italics and alternate weights. Or rather, I will show you how to design italics and briefly present how you can modify your regular weight typeface to create alternate weights rather than having to re-draw the whole letter.Before we startIf you haven’t read the last article/tutorial but you want participate in this one, you can download a pack of resou
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